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Torch of the Mystics
The modern system ultimately released by Audio Fidelity Records in November uses two modulation angles, equal and opposite 45 degrees from vertical and so perpendicular to each other. The process of playing a vinyl record with a stylus is by its very nature to some degree a destructive process. By very tightly packing the fine groove, a playing time of 17 minutes per side was achieved. Longer programs, which required several disc sides, pioneered the system of recording odd-numbered sides inside-out and even-numbered sides outside-in so that the sound quality would match from the end of one side to the start of the next. Columbia may have planned for the Bach album ML to be the first since the releases came in alphabetical order by composer. At one point you'll 'hear' the circa Mothers chanting 'Help I'm A Rock' while being pushed into a kettle of boiling oil by the West Coast Pop Art Experimental Band; at another you'll swear that your head is stuck in a lardy commode while one of the Fugs' ESP recording sessions rages around your sweat-soaked and heaving trousers. It offered a recording that was, theoretically, completely noiseless and not audibly degraded by repeated playing or slight scuffs and scratches.
CD reissue cover In , Tupelo reissued this on CD. The tracks were all remastered to fix the somewhat tinny sound of the LP due to some overzealous compression.
It also featured new cover art by Mary Alice Clark , a mini-poster with a then-current discography on the back, and a booklet featuring a short story by Charles Gocher. CD version in digipak with eight-page booklet; LP version includes insert.
As the heppest of you undoubtedly know, the Girls are a death-defying improv-rock band from Arizona who number no females amongst their membership, but who still bleed profusely on a near-monthly basis. Their recordings tend to be scattershot fiestas of lump-rich style gumbo, and Mystics is easily the richest, lumpiest puddle of guh they've yet emitted.
The sounds on this record have moments of style-lifting, however, that should endear them even to fans of olden-days out-rock a notoriously Luddite audience. At one point you'll 'hear' the circa Mothers chanting 'Help I'm A Rock' while being pushed into a kettle of boiling oil by the West Coast Pop Art Experimental Band; at another you'll swear that your head is stuck in a lardy commode while one of the Fugs' ESP recording sessions rages around your sweat-soaked and heaving trousers.
Introduced by Columbia in , it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound , it remained the standard format for record albums until its gradual replacement from the s to the early 21st century , first by compact discs and then by streaming media.
At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive and therefore noisy shellac compound, employed a much larger groove, and played at approximately 78 revolutions per minute rpm , limiting the playing time of a inch diameter record to less than five minutes per side.
Each side of a inch LP could play for about 22 minutes. Although the LP was suited to classical music because of its extended continuous playing time, it also allowed a collection of ten or more pop music recordings to be put on a single disc.
The use of the word "album" persisted for the one-disc LP equivalent. The prototype of the LP was the soundtrack disc used by the Vitaphone motion picture sound system , developed by Western Electric and introduced in Unlike their smaller LP descendants, they were made with the same large "standard groove" used by 78s. Unlike conventional records, the groove started at the inside of the recorded area near the label and proceeded outward toward the edge.
Like 78s, early soundtrack discs were pressed in an abrasive shellac compound and played with a single-use steel needle held in a massive electromagnetic pickup with a tracking force of five ounces 1. By mid all motion picture studios were recording on optical soundtracks , but sets of soundtrack discs, mastered by dubbing from the optical tracks and scaled down to 12 inches to cut costs, were made as late as for distribution to theaters still equipped with disc-only sound projectors.
To improve your visit to our site, take a minute and upgrade your browser. Short version: McCain is a high-stakes craps player who loves the pure, adrenalin-pumping, rush of the game.
Obama is an exceedingly low-stakes poker player who sizes up his odds methodically and rarely loses money. It's a great insight into the two personalities. And there's an even better scoop a little further down. While I knew most of the details of Obama's poker-playing, I had no idea McCain was such a hard-core gambler:. In the past decade, [McCain] has played on Mississippi riverboats, on Indian land, in Caribbean craps pits and along the length of the Las Vegas Strip. Back in he joined a group of journalists at a magazine-industry conference in Puerto Rico, offering betting strategy on request.
The goal, say several people familiar with his habit, is never financial. He loves the thrill of winning and the camaraderie at the table. Only recently have McCain's aides urged him to pull back from the pastime. In the heat of the G. When his aides stopped him, fearing a public relations disaster, McCain suggested that they ask the casino to take a craps table to a private room, a high-roller privilege McCain had indulged in before.
His aides, with alarm bells ringing, refused again, according to two accounts of the discussion. A few thousand dollars at a time?
That's more than borderline unseemly, I'd say--easily several hundred thousand dollars over a period of years if McCain plays regularly.